Tsukitani Tsuneko
月溪恒子
Scholar
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Dr. Tsuneko Tsukitani, professor at Osaka University of the Arts, was Japan's leading expert on the shakuhachi, its history and music, and a beloved colleague who wholeheartedly supported the efforts of her peers, students and friends. Many non-Japanese shakuhachi enthusiasts will remember her for her energetic participation in the 1998 Boulder Shakuhachi Festival, where she gave academic lectures on the shakuhachi along with her colleague, Zenpo Shimura. Although she was not able to attend the Sydney Festival in 2008 because of her illness, she worked behind the scenes to insure that the festival received necessary funding from the Japanese government. We will all miss this vivacious woman and her warmth, wisdom and friendship.
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Students
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Publications
| Title | Kanji | Publisher | Year | Pages | Language |
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| Fuke shakuhachi no kakusan to koryu [Dissemination and Interchange of the Fuke Shakuahchi]. In Iwanami koza: Nihon no ongaku, Ajia no ongaku [Iwanami Series: Music of Japan, Music of Asia] |
Tokyo: Iwanami Shoten | 1988 | 33-55 | ||
| Koten Honkyoku Josetsu [Introduction to Classical Honkyoku]. In Descriptive notes for Suizen : Chikuho ryu ni miru fuke shakuhachi no keifu [Blowing Zen: the Fuke Shakuhachi Lineage According to the Chikuho School] |
Tokyo: Nippon Columbia | 1974 | KX 7001-3,23-25 | ||
| Shakuhachi gaku : rekishi to tokushitsu [Shakuhachi : History and Characteristics]. In descriptive notes for LP album Shakuhachi 1969 (SWS 3) by Hirose Ryohei |
Nippon Crown | 1969 | 16-23 | ||
| Shakuhachi koten honkyoku no densho kosatsu : repatori no keisei to henyo [Transmission of the Classical Shakuhachi Honkyoku : Formation and Change in the Repertoire]. - In Shominzoku no oto "Koizumi Fumio tsuito ronbunshu [Sounds of Various Peoples : Memorial Essays for the Late Professor Koizumi Fumio]. |
Tokyo: Ongaku no Tomosha | 1986 | 279-303 | ||
| Shakuhachi koten honkyoku no kenkyu : koseiho ni tsuite [A Constructive Analysis of Shakuhachi Koten Honkyoku] |
Ongakugaku 15, no. 1 | 1969 | 43-52 | ||
| Shakuhachi koten ni okeru domei ikyoku no mondai [On the Problem of Different Compositions with the Same Title in Classical Shakuhachi Honkyoku]. In Nihon ongaku to sono shuhen, edited by Fumio Koizumi, Akira Hoshi and Osamu Yamaguchi |
Tokyo: Ongaku no Tomosha | 1973 | 225-250 | ||
| Shakuhachi no shurui to rekishi [Types and History of the Shakuhachi] |
Kikan Hogaku 5 | 1975 | 13-19 | ||
| Simplicity as Complexity: Technicalities and Aesthetics of Japanese Musical Instruments and Music. (With Simura Satosi and Osamu Yamaguchi) |
Proceedings of the 1993 International Computer Music Conference 1993 | 1993 | 10-17 | ||
| Syakuhati: Historical Instruments and Notation: An Interpretation. Lecture / Performance based upon the historical material housed at the Yakumo Honzin Memorial Foundation. Co-authored by Simura Satosi, Seyama Toru, Riley Lee and Yuking Tomoko. |
Syakuhati Kenkyukai | 10 | English | ||
| The Kowata Suigetsu Collection of the San'in in Syakuhati Dozyo. In Historical Sources of Musicological Interest: Japan and Europe: Catalogue. (With Seyama, Toru) |
Osaka: Belgium Flanders Exchange Center | 1990 | 8-16 | ||
| The Shakuhachi: The Instrument and its Music, Change and Diversification. (Edited with Toru Seyama and Satoshi Shimura) |
Contemporary Music Review 8, no. 2. Pages 103-129 | 1994 | 58 | English |