Henry Horaku Burnett
hburnett@mindspring.com
Henry Horaku Burnett is a Professor at the Aaron Copland School of Music, Queens College (CUNY) as well as a member of the doctoral faculty at the City University of New York, Graduate Center. Professor Burnett specializes in Japanese chamber music of the Tokugawa period (1603-1868). A principal student of Fusako Yoshida, Henry Burnett received his natori (teaching license) in both koto and sangen, as well as the performing name Horaku, from her school (Seiha Ikuta-ryu) in 1979. He has appeared often in concerts in New York City and elsewhere, including several concert tours of Japan. Besides performing and teaching, Professor Burnett is the executive director of the Traditional Japanese Music Society of the City University of New York, and the editor of its journal, Hogaku.
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Pistas Grabadas
Piezas | Kanji | Longitud | Álbum | Instrumento | |
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Sato no Akatsuki | 里の暁 | 18'40 | Kyomono Series Vol 1 Matsuura Kengyo - NY Sankyoku Kai | Shamisen | |
Wakana | 若葉 | 20'44 | Kyomono Series Vol 1 Matsuura Kengyo - NY Sankyoku Kai | Shamisen | |
Zangetsu | 残月 | 21'30 | Perspectives of New Music | Shamisen | |
Sato no Akatsuki | 里の暁 | 18'40 | Kyomono Series Vol 1 Matsuura Kengyo - NY Sankyoku Kai | Voz | |
Wakana | 若葉 | 20'44 | Kyomono Series Vol 1 Matsuura Kengyo - NY Sankyoku Kai | Voz | |
Zangetsu | 残月 | 21'30 | Perspectives of New Music | Voz |
Publicaciones
Título | Kanji | Editorial | Año | Páginas | Idioma |
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An Antholology of Jiuta Poetry. Compiled and edited by Henry Burnett. Translations by John Tedford. |
1984 | 46 | English | ||
An Introduction to the History and Aesthetics of Japanese Jiuta-Tegotomono |
Asian Music 11, no. 2 | 1980 | 11-29 | ||
Glossary of Commonly Used Terms |
Perspectives in New Music 27, no. 2 | 1989 | 48-51 | ||
Hogaku. 1983-1989 (Edited) |
New York: Traditional Japanese Music Society | 1983 | |||
Minezaki Koto's Zangetsu: An Analysis of a Traditional Japanese Chamber Music Composition |
Perspectives in New Music 27, no. 2 | 1989 | 78-117 |