文献
和楽器と日本音楽に関係する文献
タイトル | 漢字 | 著者・編集者 | 出版社 | 年 | ページ | 言語 |
---|---|---|---|---|---|---|
A Biography of Tanaka Yûdô |
右心 | 7 | English | |||
A Brief Examination of the Musical Scales of Okinawa. In Asian Musics in an Asian Perspective, edited by Koizumi Fumio, Tokumaru Yoshihiko and Yamaguchi Osamu |
Takami Tomoko | Tokyo: Heibonsha | 1977 | 86-89 | ||
A Guide to Musicality (Gaku ri no tebiki) |
楽理の手引 | 藤井 隆山 | Tozan-Ryū | 1925 | Japanese | |
A History of Japanese Koto Music and Ziuta with Two CDs. Translated by Leonard C. Holvik |
Kikkawa Eishi | Tokyo: Mita Press | 1997 | |||
A Selective Study of Honte-Kaete Tegoto-mono in Nineteeth Century Japanese Koto Music |
Bonnie C Wade | Master of Arts, University of California, Los Angeles | 1967 | |||
A Study of Yamada-Ryû Sôkyoku and its Repertoire (Part 1 of 2) |
Cathleen B Read | 1975 | 209 | English | ||
A Study of Yamada-Ryû Sôkyoku and its Repertoire (Part 2 of 2) |
Cathleen B Read | 1975 | 218 | English | ||
Acoustical Investigation of the Japanese Bamboo Pipe, Syakuhati |
Terada Torahiko | Journal of the College of Science, Imperial University, Tokyo 21 Article 10 | 1907 | 1-37 | ||
Acoustical Investigations of Some Japanese Musical Instruments: Part I. The Syakuhati, A Japanese Wind Instrument. (With Yasuyo Ozawa) |
Obata Juichi | Proceedings of the Physico-Mathematical Society of Japan 12, no. 11 | 1930 | 12:285-299 | ||
Ajikan to Nyozan. Kyochiku |
富森虚山 | Kyoto: Myoan Kyozan Bodo Yukai, (1969-1970?) | ||||
An Antholology of Jiuta Poetry. Compiled and edited by Henry Burnett. Translations by John Tedford. |
Henry Horaku Burnett | 1984 | 46 | English | ||
An Interview with Yokoyama Katsuya |
Tokumaru Yoshihiko | Contemporary Music Review 8, no. 2 | 1994 | 53-76 | ||
An Introduction to the History and Aesthetics of Japanese Jiuta-Tegotomono |
Henry Horaku Burnett | Asian Music 11, no. 2 | 1980 | 11-29 | ||
An Introductory Guidance to the Research of the Shamisen |
Kikkawa Eishi | Toyo Ongaku Kenkyu 14-15 | 1958 | 52-67 | ||
Annals of the International Shakuhachi Society. Vol. 1. (Edited) |
Dan E Mayers | Sussex, England: International Shakuhachi Society | 1990 | |||
Anthology of Sokyoku and Jiuta Texts. (Edited with Anthony H. Chambers) |
柘植 元一 | Tokyo: Academia Music | 1983 | 120 | English | |
Are kore |
富森虚山 | Nihon Ongaku (?): 15 articles | ||||
Art and Music in teh Zen Tradition: Some Analogies |
Gregg W Howard | Queensland Conservatorium of Music Griffith University | 1992 | 16 | English | |
Article about Jinbo Masanosuke |
22 | Japanese | ||||
Asahi Falls--Mendicant Shakuhachi Monks and the Izu Peninsula |
クリストファー遙盟 | On website www.yohmei.com | 2015 | 10 | English | |
Asian Musics in an Asian Perspective. (Edited with Yoshihiko Tokumaru and Osamu Yamaguchi) |
小泉 文夫 | Tokyo: Heibonsha | 1977 | |||
Bamboo and Music: A New Approach to Organology |
Theodore C Grame | Ethnomusicology 6, no. 1 | 1962 | 8-14 | ||
Bell Ringing in an Empty Sky. Dissertation for Bachelor of Arts Houours Degree. |
Bernadette Wilkins | 1992 | 90 | English | ||
Blowing Shakuhachi |
Monty Levenson | Kyoto Journal 12 | 1989 | 31-38 | ||
Blowing Zen: Aspects of Performance Practices of the Chikuho Ryu Honkyoku |
皇保 | Master of Arts, University of Hawaii | 1986 | 342 | English | |
Book. Undetermined. [History of the Araki Family] |
80 | Japanese | ||||
Coming to Terms: (Futaiken) Reibo |
Hilary Tann | Perspectives in New Music 27, no. 2 | 1989 | 52-76 | ||
Comparison of Tozanryu and Kinkoryu Shakuhachi Arrangements for Sankyoku Gasso Made from Identical Originals |
Ingrid Fritsch | Yearbook of Traditional Music 15 | 1983 | 14-30 | ||
Composing for Japanese Instruments (translated by Marty Regan; edited by Philip Flavin) |
三木 稔 | University of Rochester Press | 2008 | 256 | English | |
Concerning Minezaki Koto, Toyoga Kengyo and Tsuyama Kengyo: Notes on Visits to Musicians' Graves |
Kubota Toshiko | Toyo Ongaku Kenkyu 51 | 1987 | 20-23 | ||
Concerning the Names of Koto Tunings [Koto no chogen meisho o megutte] |
平野健次 | Toyo Ongaku kenkyu 54 | 1989 | 20-27 | ||
Confluence of Spiritual and Aesthetic Research in Traditional Japanese Music |
丹波 明 | World of Music 25, no. 1 | 1983 | 30-41 | ||
Contemporary Notation for the Shakuhachi: A Primer for Composers |
Jeffrey Nyofu Lependorf | Perspectives in New Music 27, no. 2 | 1989 | 20, 232-251 | English | |
Daiyonkai Yokoyama Katsuya shakuhachi risaitaru [Yokoyama Katsuya's Fourth Shakuhachi Recital] |
横山 勝也 | Tokyo: Yokoyama Katsuya | 1972 | |||
Die Flote Shakuhachi : Von Bettlern zu Monchen zu Musikern [The Shakuhachi Flute: From Beggars to Monks to Musicians]. In Musik in Japan: Aufsatze zu Aspekten der Musik im heutigen Japan, edited by Silvain Guignard |
Andreas Fuyu Gutzwiller | Munchen: Ludicium Verlag | 1996 | 47-57 | ||
Die Shakuhachi der Kinko-Schule [Shakuhachi of the Kinko School] |
Andreas Fuyu Gutzwiller | Basel: Barrenreiter Kassel | 1983 | |||
Die Solo-Honkyoku der Tozan-Schule : Musik fur Shakuhachi zwischen Tradition und Moderne Japans [Solo Honkyoku of the Tozan School: Music for Shakuhachi and the Conflicting Claims of Tradition and Modernity in Japan]. Edited by Robert Gunther. Vol. 4, Studien zur traditionellen Musik Japans. |
Ingrid Fritsch | Kassel: Barenreiter | 1979 | |||
Distant Calls of Deer: An Invitation to the World of Classical Syakuhati Honkyoku. In Tradition and Its Future: Report of SIMS 1990 Osaka, edited by et al Yoshiko Tokumaru. Syakuhati Kenkyukai. |
Osaka, Japan: Mita Press | 1991 | 640-645 | |||
Doyuzuiho. Vol 1 (Edited) |
Tokyo: Suisho Wagaku Zenkai | 1971 | ||||
Doyuzuiho. Vol 2 (Edited) |
Tokyo: Suisho Wagaku Zenkai | 1972 | ||||
Early Seventeenth Century Ascetic Shakuhachi Ideology. The Kaido Honsoku. A Komoso's Fuke Shakuhachi Credo. Dated 1628.
M.A. thesis in Japanology. Also published on CD-rom by Tai Hei Shakuhachi, Willits, CA, 2003. |
Torsten Olafsson | University of Copenhagen | 1988 | 146 | English | |
From Handbell to Shakuhachi |
Sunim Sumu | Spring Wind 5, no. 3 | 1985 | 13 | English | |
Fron Fuke Shu to Uduboo: Zen and the Transnational Flow of the Shakuhachi Tradition to the West. University of Hawai'i Master of Arts in Music Thesis. |
光竹 | 2001 | 169 | English | ||
Fu Ho U vs. Do Re Mi: The Technology of Notation Systems and Implications of Change in the Shakuhachi Tradition of Japan |
皇保 | Asian Music 19, no. 2 | 1988 | 71-81 | ||
Fuke shakuhachi no kakusan to koryu [Dissemination and Interchange of the Fuke Shakuahchi]. In Iwanami koza: Nihon no ongaku, Ajia no ongaku [Iwanami Series: Music of Japan, Music of Asia] |
月溪恒子 | Tokyo: Iwanami Shoten | 1988 | 33-55 | ||
Fuke shakuhachi no nyorai |
Omura Kijo | 54-68 | ||||
Fuke shu shoshi [A Short History of the Fuke Sect] |
高橋 空山 | Tokyo: Ongaku Kenkyukai | 1971 | |||
Fuke zenshu to dosho ni tsuite |
岡本 竹外 | Nihon Ongaku | 6-16 | |||
Fukeseishu myoan shakuhachi zen. (Edited) |
Fukumoto Kyoan | Vol. 2. Kyoto: Haizuka Insatsu | 1974 | |||
Fukeshu ni tsuite [About the Fuke Sect] |
Mikami Sanji | Shigaku zasshi 13, no. 4 | 1902 | 61-76 | ||
Fukeshu ni tsukite [About the Fuke Sect] |
Mikami Sanji | Shigaku zasshi 13, no. 5 | 1902 | 64- 82 | ||
Fukeshu shakuhachi to genryuha |
高橋 空山 | Nihon Ongaku | 5 | |||
Fukeshu shi : sono shakuhachi soho no gakuri [History of the Fuke Sect: Principles of Playing Its Shakuhachi] |
高橋 空山 | Tokyo: Fuke Shushi Kankokai | 1979 | |||
Further Studies on the Acoustical Properties of the Japanese Wind Instrument, Syakuhati. (With Takehiko Teshima) |
Obata Juichi | Proceedings of the Physico-Mathematical Society of Japan 15, no. 3 | 1933 | 125-134 | ||
Gaikokujin kara mita hogaku no miryoku [The Fascination of Classical Japanese Music as Viewed by Non-Japanese] |
柘植 元一 | Kikan Hogaku 75 | 1993 | 73-82 | ||
Glossary of Commonly Used Terms |
Henry Horaku Burnett | Perspectives in New Music 27, no. 2 | 1989 | 48-51 | ||
Higuchi Taizan Legacy Notations (Higuchi Taizan noko fu) |
樋口対山遺譜 | 稲垣衣白 | Meian Temple Restorer - Kyoto | 1976 | 301 | Japanese |
History of Hanamaki Chikurinzan Shoganken |
Kamada Tsuguyoshi | 23 | Japanese | |||
Hogaku e no shotai [Invitation to Traditional Japanese Music]. (Edited) |
Kikkawa Eishi | Tokyo: Hobunkan Shuppan | 1978 | |||
Hogaku kansho nyumon [Introductory Guide to the Appreciation of Japanese Classical Music] |
Kikkawa Eishi | Osaka: Sogensha | 1959 | |||
Hogaku. 1983-1989 (Edited) |
Henry Horaku Burnett | New York: Traditional Japanese Music Society | 1983 | |||
Hogaku: 1. The Dual Personality of Jiuta: Sobriety and Humor. 2. Analysis of the Yamada-ryu Sokyoku Iemoto System. 3. The Evolution of Shamisen Tegotomono. 4. A guide to the Basic Literature and Records for Research in Jiuta and Sokyoku. 5. Anatomy of a Japanese Festival: The Great Midwinter Wakanomiya On-Matsuri. 6. Record Reviews. Editor: Henry Burnett. |
The Traditional Japanese Music Society | 65 | English | |||
Hotto Kokushi Densetsuko. In Zenshu no shomondai [Various Questions Concerning the Zen Sects], edited by Aishin Imaeda |
Imai Masaharu | Tokyo: Yuzankaku | 1979 | 123-150 | ||
Ichion Jobutsu [One Sound, Buddhahood] .. Tokyo: Komuso Kenkyukai |
||||||
Iemoto monogatari [Stories of the Iemoto] |
西山松の助 | Tokyo | 1971 | |||
Iemoto no kenkyu [Iemoto Research] |
西山松の助 | Tokyo: Yoshikawa Kobunkan | 1982 | |||
Iemotosei no tenkai [Development of the Iemoto System] |
西山松の助 | Tokyo: Yoshikawa Kobunkan | 1982 | |||
In the Space Between Research on Medieval Japanese Literature and Music Research |
Iso Mizue | Toyo Ongaku Kenkyu 51 | 1987 | 12-15 | ||
In yo [Yin Yang] |
高橋 空山 | Nihon Ongaku | 4 | |||
Introduction to Shamisen Kumiuta, Source Materials and Studies in Ethnomusicology |
Willem Adriaansz | Buren, The Netherlands: Frits Knuf B.V | 1978 | |||
Issetsu sai shakuhachi no shiso : shu hidari roo no uta |
Nihon Ongaku | 4 | ||||
Japan's Musical Tradition: Hogaku from Prehistory to the Present |
Yoshikami Miyuki | McFarland | 2020 | 251 | English | |
Japanese Music |
Sunaga Katsumi | Tokyo: Maruzen | 1936 | |||
Japanese Music and Drama in the Meiji Era. Translated by Edward Seidensticker and Donald Keene |
Komiya Toyohashi | Tokyo: Obunsha | 1956 | |||
Japanese Music and Musical Instruments |
William P Malm | Tokyo: Charles E. Tuttle | 1959 | |||
Japanese Music: An Annotated Bibliography. Edited by Fredric Lieberman, Garland Bibliographies on Ethnomusicology |
柘植 元一 | New York: Garland Publishing | 1986 | |||
Jiuta Shamisen Tunings: A Study of its History and Development |
Tsuda Michiko | Toyo Ongaku Kenkyu 34-37 | 1974 | 124-84 (sic) | English | |
Ju wari, kyuhen wari |
高橋 空山 | Nihon Ongaku | 6-7 | |||
Kikan Hogaku [Traditional Japanese Music Quarterly]. 1974-1994 |
Tokyo: Hogakusha | 1974 | ||||
Kinko Techo (Notebook of Kinko). Tsukamoto Kodō - Editor |
塚本 虚堂 | Meianji Document Collection | 91 | Japanese | ||
Kinko-ryu Shakuhachi Honkyoku |
五世 荒木 古童 | Master of Arts, Wesleyan University | 1971 | 81 | English | |
Kinkoryu shakuhachi shikan [Historical Views on the Kinkoryu Shakuhachi] |
Nakatsuka Chikuzen | Tokyo: Nihon Ongakusha | 1979 | |||
Kinpu ryu shakuhachi honkyoku den. In Kinpu ryu shakuhachi honkyoku den |
内山嶺月 | Hirosaki: Uchiyama Reigetsu | 1972 | 1-17 | ||
Kinpu-ryu Shakuhachi Honkyoku-den / Uchiyama Reigetsu |
ニック 朋古 ベランド | 2017 | 273 | English | ||
Komu suidan |
富森虚山 | Tokyo: Myoan Kyozanbo Doyukai | 1976 | |||
Komuso : fukeshu reihoji no kenkyu [ Komuso : Research on the Fuke Sect Temple Reihojij |
山下 彌十郎 | Tokyo: Tama Kyodo Kenkyu no Kai | 1972 | |||
Komuso : sei to zoku no igyoshatachi [Komuso : Strange Characters as Saints and Sinners] |
Takeda Kyoson | Tokyo: San'ichi Shobo | 1997 | |||
Komuso shakuhachi : dai nigashi ku no kokawayanagi |
Nihon Ongaku | 19 | ||||
Komuso shakuhachi shinan [Teachings of the Komuso Shakuhachi] |
戸谷 泥古 | Tokyo: Toritsugimoto Komuso Kenkyukai | 1984 | |||
Komuso Tani Kyochiku [The Komuso Priest Tani Kyochiku]. (Edited) |
稲垣衣白 | Tokyo: Komuso Kenkyukai | 1985 | |||
Komuso. In Iemotosei no tenkai |
西山松の助 | Tokyo: Yoshikawa Kobunkan | 1982 | 134-153 | ||
Koten Honkyoku Josetsu [Introduction to Classical Honkyoku]. In Descriptive notes for Suizen : Chikuho ryu ni miru fuke shakuhachi no keifu [Blowing Zen: the Fuke Shakuhachi Lineage According to the Chikuho School] |
月溪恒子 | Tokyo: Nippon Columbia | 1974 | KX 7001-3,23-25 | ||
Kumiuta and Danmono Traditions of Japanese Koto Music |
Willem Adriaansz | University of California Press | 1973 | 493 | English | |
Kumiuta: Traditional Songs for Certificates, A Study of their Texts and Implications,Swiss Asian Studies |
Peter Ackermann | Bern: Peter Lang | 1990 | |||
Kyomono: A Traditional Japanese Music |
William Edward Feltz | Master of Arts, University of Hawaii | 1970 | 169 | English | |
Kyotaku denki : shakuhachi no yurai zoho chushaku. (Edited) |
初代河本逸童 (初代川本逸童) | Tokyo: Gakubundo Zohan | ||||
La Theorie et L'esthetique Musicale Japonaises : Du 8e au 19e Siecle [Japanese Music Theory and Musical Aesthetics from the 8th to the 19th Century] |
丹波 明 | Paris: Publications Orientalistes De France | 1988 | |||
Means of Preservation and Diffusion of Traditional Music in Japan |
岸辺成雄 | Asian Music 2, no. 1 | 1971 | 8-13 | ||
Meian San Ju Nana Sei Tanikita Muchiku Shu |
戸谷 泥古 | 181 | Japanese | |||
Meiji jidai no shakuhachi monogatari |
Hojo Itcho II | Nihon Ongaku | 6-7 | |||
Midare : A Study of its Historic Development. In Nihon ongaku to sono shuhen, edited by Fumio Koizumi, Akira Hoshi and Osamu Yamaguchi |
Willem Adriaansz | Tokyo: Ongaku no Tomosha | 1973 | 9-54 | ||
Minezaki Koto's Zangetsu: An Analysis of a Traditional Japanese Chamber Music Composition |
Henry Horaku Burnett | Perspectives in New Music 27, no. 2 | 1989 | 78-117 | ||
Miyagi Michio sakuhin kaisetsu zensho [Explanatory Complete Collection of Miyagi Michio Compositions]. (Edited with Eishi Kikkawa) |
上参郷 祐康 | Tokyo: Hogakusha | 1979 | |||
Music and Tradition of the Edo Period |
Willem Adriaansz | World of Music 20, no. 2 | 1978 | 69-73 | ||
Musical Scales in Japanese Music. In Asian Musics in an Asian Perspective, (Edited with Yoshihiko Tokumaru and Osamu Yamaguchi) |
小泉 文夫 | Tokyo: Heibonsha | 1977 | 73-79 | ||
Musico-religious Implications of Some Buddhist Views of Sound and Music in the Surangama Sutra |
Gregg W Howard | Musica Asiatica 6 | 1991 | 95-101 | ||
Musik in Japan: Aufsatze zu Aspekten der Musik im heutigen Japan [Music in Japan: Essays on Aspects of Music in Today's Japan]. (Edited) |
Silvain Guignard | Munchen: Ludicium Verlag | 1996 | |||
Myoan shakuhachi oko raikon ryakuki [A Brief Account of the Myoan Shakuhachi from Ancient Past to the Present] |
富森虚山 | Tokyo: Myoan Suisho Wagaku Zenkai | ||||
Myoan shakuhachi tsukai [Myoan Shakuhachi Commentary] |
富森虚山 | Tokyo: Myoan Kyozanbo Doyukai | 1979 | |||
Myoanji shoden koten honkyoku yosetsu [Outline of the Classical Honkyoku of Myoanji] |
Kyoto: Myoan Doshukai | 1972 | ||||
Nihon no onkai [Musical Scales of Japan]. 12 vols, Toyo Ongaku Sensho 9. (Edited Toyo Ongaku Gakkai [Asian Music Research Society]) |
Tokyo: Ongaku no Tomosha | 1982 | ||||
Nihon ongaku : rekishi to riron [Japanese Music: History and Theory]. (Edited) |
岸辺成雄 | Tokyo: Kokuritsu Gekijo Jigyobu | 1974 | |||
Nihon ongaku no onkai to senpo [Scales and Modes of Japanese Music]. In Nihon no Onkai, edited by Toyo Ongaku Gakkai |
小泉 文夫 | Tokyo: Ongaku no Tomosha | 1982 | 51-81 | ||
Nihon ongaku to sono shuhen : Kikkawa Eishi sensei kanreki kinen ronbunshu [Japanese Music and Related Issues: Essays in Commemoration of the Professor Kikkawa Eishi's Sixtieth Birthday]. (Edited with Akira Hoshi and Osamu Yamaguchi) |
小泉 文夫 | Tokyo: Ongaku no Tomosha | 1973 | |||
Nippon ongaku no rekishi to kansho [Music in Japan: History and Appreciation] |
星 旭 | Tokyo: Ongaku No Tomosha | 1971 | |||
Notes on Keiko Nosaka and the 20-Stringed Koto: Tradition and Modernization in Japanese Music |
Bonnie C Wade | 1994 | 4 | English | ||
Observing the Sound |
Preston L Houser | Kyoto Journal 28 | 1994 | 35-41 | ||
On Syakuhati |
Terada Torahiko | Proceedings of the Tokyo Mathematico-Physical Society 3, no. 4 | 1906 | 83-87 | ||
On the Religious in Music: Zen and the Shakuhachi. In Sound and Reason: Music and Essays in Honour of Gordon D. Spearritt, edited by Warren A Bebbington and Royston Gustavson |
Gregg W Howard | Brisbane, Australia: Faculty of Music, University of Queensland | 1992 | 17, 29-37 | English | |
Ondekoza de fuku [Playing with Ondekoza] |
皇保 | Kikan Hogaku 8 | 1976 | 92-97 | ||
Ontology of Transmission; the Nature of the Reality of Honkyoku Transmission. |
23 | English | ||||
Oral and Literate Aspects of Tradition Transmission in Japanese Music: With Emphasis on Syoga and Hakase. In The Oral and the Literate in Music, edited by Yoshihiko Tokumaru and Osamu Yamaguchi |
上参郷 祐康 | Tokyo: Academia Music | 1986 | 288-299 | ||
Personalities in the World of Meian Shakuhachi. An Anthology of the Gen'un School of Meian Shakuhachi. Compiled by Kamida... |
Tokyo | 1981 | 73 | Japanese | ||
Place of Tradition in the Music Culture of Japan. In Tradition in den Musikkulturen : heute und morgen: Bericht uber die wissenschaftliche Konferenz des Internationalen Musikrates 2. bis 4. Oktober 1985 in Berlin |
Fukushima Kazuo Ishibashi | Leipzig: VEB Deutscher Verlag fur Musik | 1985 | 102-107 | ||
Playing techniques on the shakuhachi: somatic organs and their controls in relation to the instrument. |
Simura Satosi | Kuckertz Seminar, Osaka | 1988 | 14 | English | |
Playing with "The Breath that Keeps You Alive" |
ジョン・海山・ネプチューン | The Kyoto Diary Vol. 6 No. 3 | 2001 | 13 - 16 | English | |
Recent Recordings of Japanese Music: A Record Review Essay |
William P Malm | Ethnomusicology 11, no. 1 | 1967 | 97-106 | ||
Reflections of a Trans-cultural Musician |
Elliot Weisgarber | Numus West 2 | 1972 | 23-25 | ||
Reflections on the Aesthetic Background of the Performing Arts of East Asia |
A. C. Scott | Asian Music 6, no. 1-2 | 1975 | 207-216 | ||
Review of A History of Japanese Music by Eta Harich-Schneider |
Elliot Weisgarber | Public Affairs 49, no. 1: | 142-143 | |||
Review of Anthology of Sokyoku and Jiuta Song Texts by Gen'ichi Tsuge |
Mitani Yoko | Ethonomusicology 30, no. 2 | 1986 | 357-359 | ||
Review of Bamboo Textures: Works for Shakuhachi by John Kaizan Neptune |
Andreas Fuyu Gutzwiller | World of Music 25, no. 2 | 1983 | 80-81 | ||
Review of Der wahre Geist der Leere by Andreas Fuyu Gutzwiller |
Ingrid Fritsch | World of Music 27, no. 1 | 1985 | 98-99 | ||
Review of Der Wahre Geist Der Leere performed by Andreas Fuyu Gutzwiller |
Ralph Samuelson | Asian Music 16, no. 2 | 1985 | 198-200 | ||
Review of Der wahre Geist der Leere performed by Andreas Fuyu Gutzwiller, Japanese Music for Two Shakuhachi performed by Riley Kelly Lee and Ralph Samuelson, and Standing Waves: Zen Shakuhachi Meditations performed by Torsten Olafsson. Ethnomusicology 3 |
David Fish | 1986 | 540-543 | |||
Review of Die Shakuhachi der Kinko-schule by Andreas Gutzwiller |
Ingrid Fritsch | World of Music 26, no. 2 | 1984 | 106-108 | ||
Review of Die Shakuhachi der Kinko-Schule by Andreas Gutzwiller. (With Gerald Groemer) |
皇保 | Ethnomusicology 30, no. 2 | 1986 | 353-355 | ||
Review of Japanese Music and Musical Instruments by William P. Malm |
Theodore Hoffman | Journal of Asian Studies 19, no. 3 | 1960 | 354-355 | ||
Review of Japanese Music for Two Shakuhachi Performed and Annotated by Riley Lee and Ralph Samuelson |
Donald Paul Berger | Asian Music 18, no. 1 | 1986 | 212-213 | ||
Review of Koto Music of Japan performed by Hagiwara, Hatta, Kitagawa, Kikusui, Mineuchi, and Yamaguchi, Japanese Koto Classics performed by Yuize, and Koto performed by Yamada and Sato |
Willem Adriaansz | Ethnomusicology 12, no. 2 | 1968 | 308-310 | ||
Review of Tegotomono: Music for the Japanese Koto by Bonnie C. Wade |
Cathleen B Read | Asian Music 10, no. 1 | 1978 | 138-140 | ||
Review of The Shakuhachi: A Manual For Learning by Christopher Yohmei Blasdel and Yuko Kamisango |
Donald Paul Berger | Asian Music 21, no. 1 | 1989 | 177-179 | ||
Review of The Shakuhachi: A Manual For Learning by Christopher Yohmei Blasdel and Yuko Kamisango |
皇保 | Ethnomusicology 34, no. 1 | 1990 | 179-181 | ||
Review of The Shakuhachi: A Manual For Learning by Christopher Yohmei Blasdel and Yuko Kamisango |
John Singer | Notes 47, no. 2 | 1990 | 397-398 | ||
Rhythm in Shakuhachi Honkyoku. In European Studies in Ethnomusicology: Historical Developments and Recent Trends, edited by Max Peter Baumann, Artur Simon and Ulrich Wegner |
Andreas Fuyu Gutzwiller | Wilhelmshaven, Germany: F. Noetzel | 1990 | 269-281 | ||
Ritual Music in Japanese Esoteric Buddhism: Shingon Shomyo |
Jackson Hill | Ethnomusicology 26, no. 1 | 1982 | 27-39 | ||
Sankyoku gasso ni okeru shakuhachi no yakuwari [The Role of the Shakuhachi in Sankyoku Performance]. In Nihon ongaku to sono shuhen: Kikkawa Eishi sensei kanreki kinen ronbunshu, edited by Fumio Koizumi, Akira Hoshi and Osamu Yamaguchi |
上参郷 祐康 | Tokyo: Ongaku no Tomosha | 1973 | 53-98 | ||
Sankyoku Magazine and the Invention of the Shakuhachi as Religious Instrument in Early 20th-Century Japan https://elischolar.library.yale.edu/yjmr/vol7/iss1/2/ |
Matt Gillan | Yale Journal of Music & Religion | 2021 | 31 | English | |
Sankyoku. 1921-1944 |
1921 | |||||
Selections of Potential Playing Techniques on the Syakuhati: Changes of Stylistic Needs Through Periods. In Music Cultures in Interaction: Cases Between Asia & Europe, edited by Usaburo Mabuchi and Osamu Yamaguchi |
志村禅保 | Tokyo: Academia Music | 1994 | 156-167 | ||
Shakuhachi - An Introduction to the Art, Culture, and Religion of the Japanese Bamboo Flute |
Robert Grous | 1980 | 235 | English | ||
Shakuhachi 1969 |
広瀬 量平 | Tokyo: Nippon Crown | 1969 | LP Sound Disc | ||
Shakuhachi : chishiki to soho [Shakuhachi : Know-how and Performance] |
中島 聖山 | Tokyo: Gyosei | 1988 | |||
Shakuhachi : Orthodoxy & Heresy |
Monty Levenson | Kyoto Journal 32 | 1996 | 12-14 | ||
Shakuhachi : sankyoku no sekai |
斉藤 栄三郎 | Tokyo: Hyuman Dokyumentosha | 1988 | |||
Shakuhachi choritsu dan [Conversation about Shakuhachi Tuning] |
藤田 俊一 | Nihon Ongaku | 8-9 | |||
Shakuhachi Construction: One Maker's Approach. Master's Thesis |
Kudo Takeo | University of Hawaii | 1977 | 133 | English | |
Shakuhachi gaku : rekishi to tokushitsu [Shakuhachi : History and Characteristics]. In descriptive notes for LP album Shakuhachi 1969 (SWS 3) by Hirose Ryohei |
月溪恒子 | Nippon Crown | 1969 | 16-23 | ||
Shakuhachi gaku no miryoku [Fascination with Shakuhachi Music] |
横山 勝也 | Tokyo: Kodansha | 1984 | |||
Shakuhachi gaku ryakushi: suizen no rikai no tame ni [An Abbreviated History of the Shakuhachi : Toward an Understanding of Blowing Zen]. - In Suizen : Chikuho ryu ni mirufuke shakuhachi no keifu [Blowing Zen: the Fuke Shakuhachi Lineage According to the Chukuho School]. |
上参郷 祐康 | Tokyo: Nippon Columbia | 1974 | KX 7001-3, 9-22 | ||
Shakuhachi Honkyoku Notation: Written Sources in an Oral Tradition |
皇保 | Musica Asiatica 6 | 1991 | 18-35 | ||
Shakuhachi honkyoku to gaikyoku. In Hogaku e no shotai [Invitation to Traditional Japanese Music], edited by Eishi Kikkawa |
Kikkawa Eishi | Tokyo: Hobunkan Shuppan | 1978 | 74 | ||
Shakuhachi honkyoku to kokan shakuhachi aikosararete Uramoto Setcho sensei [Master Uramoto Setcho Who Loved Shakuhachi Honkyoku and Old Shakuhachi Instruments]. (Edited) |
稲垣衣白 | Tokyo: Komuso Kenkyukai | 1985 | 394 | Japanese | |
Shakuhachi honryu myoan suishō kikai. (With Tominomori Kyozan = Kyozan Koji) |
尺八本流明暗吹簫法基階 | 小林 紫山 | Tokyo: Oya Shobo | 1930 | 141 | Japanese |
Shakuhachi kinko ryu daidai [The Generations ofthe Kinko School of Shakuhachi] |
Nihon Ongaku | 4 | ||||
Shakuhachi koten honkyoku no densho kosatsu : repatori no keisei to henyo [Transmission of the Classical Shakuhachi Honkyoku : Formation and Change in the Repertoire]. - In Shominzoku no oto "Koizumi Fumio tsuito ronbunshu [Sounds of Various Peoples : Memorial Essays for the Late Professor Koizumi Fumio]. |
月溪恒子 | Tokyo: Ongaku no Tomosha | 1986 | 279-303 | ||
Shakuhachi koten honkyoku no kenkyu : koseiho ni tsuite [A Constructive Analysis of Shakuhachi Koten Honkyoku] |
月溪恒子 | Ongakugaku 15, no. 1 | 1969 | 43-52 | ||
Shakuhachi koten ni okeru domei ikyoku no mondai [On the Problem of Different Compositions with the Same Title in Classical Shakuhachi Honkyoku]. In Nihon ongaku to sono shuhen, edited by Fumio Koizumi, Akira Hoshi and Osamu Yamaguchi |
月溪恒子 | Tokyo: Ongaku no Tomosha | 1973 | 225-250 | ||
Shakuhachi Minyo Shu [Anthology of Folk Songs for Shakuhachi]. 1978-1981 (Edited) |
石高琴風 | Tokyo: Kyogakusha | 1978 | Vol. 1-3 | ||
Shakuhachi Music of the Kinko School: Techniques and Melodic Embellishment |
Richard Hamilton Keeling | Master of Arts, University of California, Los Angeles | 1975 | 211 | English | |
Shakuhachi Nihon Minyo Shu - Score Collection Book 1 of 3 |
尺八日本民謡集 | 132 | Japanese | |||
Shakuhachi Nihon Minyo Shu - Score Collection Book 2 of 3 |
尺八日本民謡集 | 98 | Japanese | |||
Shakuhachi Nihon Minyo Shu - Score Collection Book 3 of 3 |
尺八日本民謡集 | 102 | Japanese | |||
Shakuhachi no honkyoku to gaikyoku |
藤田 俊一 | Nihon Ongaku | 6-7 | |||
Shakuhachi no rekishi [A History of Shakuhachi]. In Hogaku Taikei (Volume 4), edited by Shigeo Kishibe, Yasuburo Ikeda and Masakatsu Gunji |
上参郷 祐康 | Tokyo: Kikuma Shobo | 1971 | 7-16 | ||
Shakuhachi no rekishi [History of the Shakuhachi] |
藤田 俊一 | Nihon Ongaku 26?, no. 3? 1970? | 6 | |||
Shakuhachi no ru no okuri to, nayashi okuri fu |
藤田 俊一 | Nihon Ongaku | 11 | |||
Shakuhachi no ryohi ni kansuru chishiki |
三浦 琴童 | Nihon Ongaku | 6-7 | |||
Shakuhachi no shurui to rekishi [Types and History of the Shakuhachi] |
月溪恒子 | Kikan Hogaku 5 | 1975 | 13-19 | ||
Shakuhachi odessei [Shakuhachi Odyssey] |
クリストファー遙盟 | Bungei Spring | 2000 | 336-360 | ||
Shakuhachi of the Fuke-Sect: Instrument of Zen |
Andreas Fuyu Gutzwiller | World of Music 26, no. 3. Pages 53-65 | 1984 | 9 | English | |
Shakuhachi on no tankyu |
藤田 俊一 | Nihon Ongaku | 7-8 | |||
Shakuhachi oto no kenkyu : issho o takusuru |
藤田 俊一 | Nihon Ongaku | 8-9 | |||
Shakuhachi oto no kenkyu : keana on shiken |
藤田 俊一 | Nihon Ongaku | 14-15 | |||
Shakuhachi oto no kenkyu : meri kari no koto |
藤田 俊一 | Nihon Ongaku | 13-14 | |||
Shakuhachi oto no kenkyu : seikan choritsu no .. |
藤田 俊一 | Nihon Ongaku | 5-6 | |||
Shakuhachi oto no kenkyu : seikan choritsu no hoho |
藤田 俊一 | Nihon Ongaku | 13-14 | |||
Shakuhachi oto no kenkyu : shakuhachi choritsu |
藤田 俊一 | Nihon Ongaku | 9-10 | |||
Shakuhachi oto no kenkyu : shakuhachi choritsu no kotsu |
藤田 俊一 | Nihon Ongaku | 10-11 | |||
Shakuhachi oto no kenkyu : shakuhachi kan nai .. |
藤田 俊一 | Nihon Ongaku | 9-10 | |||
Shakuhachi oto no kenkyu : shakuhachi on onritsu no waridashi ho |
藤田 俊一 | Nihon Ongaku | 12-13 | |||
Shakuhachi oto no kenkyu : shakuhachi oto no in osaguru |
藤田 俊一 | Nihon Ongaku | 14- 15 | |||
Shakuhachi shiko [Thoughts on the History of the Shakuhachi]. 1975 reprint ed |
栗原廣太 | Tokyo: Chikuyusha | 1918 | |||
Shakuhachi shinko |
Hayashi Kenzo | Yamato Bunka Kenkyu 5, no. 11 (1960): 1-15 | ||||
Shakuhachi to sono doruitachi [Shakuhachi and Its Related Instruments]. In Descriptive Notes for LP recording Shakuhachi 1969 (SWS 3) by Hirose Ryohei |
小泉 文夫 | Nippon Crown | 1969 | 14-15 | ||
Shakuhachi Zen: The Fukeshu and Komuso |
James H Sanford | Monumenta Nipponica 32, no. 4. Pages 411-440 | 1977 | 32 | English | |
Shakuhachi, shinobue no oto to naibu kozo no shomondai [On the Structure and Acoustical Characteristics of the Shakuhachi and the Shinobue]. In Nihon ongaku to sono shuhen, edited by Fumio Koizumi, Akira Hoshi and Osamu Yamaguchi |
山川 直春 | Tokyo: Ongaku no Tomosha | 1973 | 271-287 | ||
Shakuhachi-Unterricht im fruhen 19. Jahrhundert: Juhachi jokuden, Die achtzehn Artikel des Kurosawa Kinko III [Shakuhachi Instruction in the Early 19th Century: Juhachi Jokuden, Eighteen Articles by Kurosawa Kinko III]. - In Lux Oriente: Begegnungen der Kulturen in der Musikforschung, Festschrift Robert Gunther zum 65. Geburtstag. |
Andreas Fuyu Gutzwiller | Kassel: Gustav Bosse Verlag | 1995 | 149-158 | ||
Shakuhachi. In Ongaku daijiten |
上参郷 祐康 | Tokyo: Hebonsha | 1982 | 1052-1063 | ||
Shakuhachi: Aspects of History, Practice and Teaching |
Andreas Fuyu Gutzwiller | Master of Arts | 1974 | 198 | English | |
Shakuhachi: Shaping the Soul of Bamboo |
皇保 | Kansai Action, Sept. 27 | 1974 | pp. 1,5,14 | ||
Shakuhachi: The Voice of Nature - A contemplative art and a source of Japanese musical tradition (11 MB) |
Elliot Weisgarber | 2019 | 182 | English | ||
Shamisen kumiuta no kyokusetsu no hensen [Historical Evolution of Shamisen Kumiuta Melodies]. In Nihon ongaku to sono shuhen, edited by Fumio Koizumi, Akira Hoshi and Osamu Yamaguchi |
Murai Yasuji | Tokyo: Ongaku no Tomosha | 1973 | 505-506 | ||
Shichiku Kokin-Shu - Hitoyogiri and Strings, Then and Now by Kamiya Juntei (translated by Nick Bellando) |
糸竹古今集 | ニック 朋古 ベランド | Nick Hoko Bellando | 2019 | 128 | English/Japanese |
Shosoin ten mokuroku [Special Exhibition of the Shoso-in Treasures]. (Edited) |
Nara: Nara Kokuritsu Hakubutsukan | 1967 | ||||
Simplicity as Complexity: Technicalities and Aesthetics of Japanese Musical Instruments and Music. (With Simura Satosi and Osamu Yamaguchi) |
月溪恒子 | Proceedings of the 1993 International Computer Music Conference 1993 | 1993 | 10-17 | ||
Sociological Significance of Historically Unreliable Documents in the Case of Japanese Musical Guilds. In Tradition and Its Future: Report of SIMS 1990 Osaka, edited by Yoshihiko Tokumaru, et al. Osaka, Japan: Mita Press |
Ingrid Fritsch | Osaka, Japan: Mita Press | 1991 | 147-152 | ||
Sokyoku danmono no kenkyu [A Study of Sokyoku Danmono]. In Nihon ongaku to sono shuhen [Japanese Music and Related Issues], edited by Fumio Koizumi, Akira Hoshi and Osamu Yamaguchi, 369-371. Tokyo: Ongaku no Tomosha |
星 旭 | Tokyo: Ongaku no Tomosha | 1973 | |||
Some Aspects of the Kinko-ryu Notation including a Study of the Pattern-Units of Koku Reibo |
Ralph Samuelson | Master of Arts, Wesleyan University | 1971 | 187 | English | |
Some Remarks on the Shamisen and Its Music. In Asian Musics in an Asian Perspective, edited by Koizumi Fumio, Tokumaru Yoshihiko and Yamaguchi Osamu |
Tokumaru Yoshihiko | Tokyo: Heibonsha | 1977 | 90-99 | ||
Source Materials of Music in Japan |
福島 和夫 | Fontes Artis Musicae 35, no. 2 | 1988 | 129-134 | ||
Stone Age and Promise Land: An Answer to James Reid |
Andreas Fuyu Gutzwiller | Ethnomusicology 23, no. 1 | 1979 | 103-107 | ||
Stone and Clay Aerophones in Early Japan. In The Archaeology of Early Music Cultures, edited by Ellen Hickmann and David W. Hughes |
柘植 元一 | Bonn: Verlag fur systematische Musikwissenschaft | 1988 | 89-96 | ||
Studying the Shakuhachi in the Tozan-Ryu |
ジョン・海山・ネプチューン | 1974 | 9 | English | ||
Sugagaki no kaigi [Explanation of Sugagaki] |
藤田 俊一 | Nihon Ongaku | 10-11 | |||
Suizen : Chikuho ryu ni mirufuke shakuhachi no keifu [Blowing Zen: the Fuke Shakuhachi Lineage According to the Chukuho School] |
二世 酒井 竹保 | Tokyo: Nippon Columbia | 1974 | LP Sound Discs KX 7001-3 | ||
Syakuhati: Historical Instruments and Notation: An Interpretation. Lecture / Performance based upon the historical material housed at the Yakumo Honzin Memorial Foundation. Co-authored by Simura Satosi, Seyama Toru, Riley Lee and Yuking Tomoko. |
月溪恒子 | Syakuhati Kenkyukai | 10 | English | ||
Symbolic Meaning of Cries in the Music of Noh |
丹波 明 | World of Music 20, no. 3 | 1978 | 107-115 | ||
Symbolic Techniques in Japanese Koto-kumiuta |
柘植 元一 | Asian Music 12, no. 2 | 1980 | 109-123 | ||
Taizan fu shui myoan sanjushichisei Tanikita Muchiku [Gleanings from the Taizan Scores of the Thirty-seventh Myoan (Patriarch) Tanikita Muchiku]. (Edited) |
稲垣衣白 | Kyoto: Tanikita Renzao | 1981 | |||
Take No Michi : A Newsletter of Shakuhachi and Related Arts. 1979-1981 (Edited) |
汲古 | Brooklyn, NY: B. Weiss | 1979 | |||
Taki otoshi [Falling Waterfall] |
富森虚山 | Tokyo: Myoan Kyozanbo Doyukai | 1975 | |||
Techniques and Spirit of Making the Shakuhachi: For an Understanding of the Two Spiritual Worlds in Existence Today. - In Der "schone" Klang: studien zum historischen Musikinstrumentenbau in Deutschland und Japan unter besonderer Berucksichtigung des alten Nurnberg, edited by Dieter Krickeberg. |
志村禅保 | Nurnberg: Germanisches National Museum | 1996 | 270-277 | ||
The Annals of the International Shakuhachi Society - Volume II |
Dan E Mayers | The International Shakuhachi Society | 2005 | |||
The Documentary Sources of Japanese Music |
福島 和夫 | Fontes Artis Musicae 43, no. 2 | 1996 | 177-193 | ||
The Encyclopedia of Musical Instruments: The Shakuhachi. (Edited with Kozo Kitahara) |
Tanimura Ko | Tokyo: Tokyo Ongakusha | 1990 | |||
The Heike Monogatari, The Shakuhachi Honkyoku, and Theories of Orality. |
皇保 | 15 | English | |||
The History of the Kyotaku |
柘植 元一 | Asian Music 8, no. 2 | 1977 | 47-63 | ||
The Honkyoku of the Kinko-Ryu: Some Principles of its Organization |
Elliot Weisgarber | Ethnomusicology 12, no. 3 | 1968 | 313-344 | ||
The Interaction of Orality and Literacy in Structuring Syamisen Music. In The Oral and the Literate in Music, edited by Yoshihiko Tokumaru and Osamu Yamaguchi |
Tokumaru Yoshihiko | Tokyo: Academia Music | 1986 | 110-129 | ||
The Japanese Shakuhachi |
William C. Rorick | 1979 | 59 | English | ||
The Japanese Shakuhachi and Some Comparisons with Several Vertical Flutes of Southeast Asia; In Asian Musics in an Asian Perspective, edited by Koizumi Fumio, Tokumaru Yoshihiko and Yamaguchi Osamu |
Richard Emmert | Tokyo: Heibonsha | 1977 | 115-124 | ||
The Kinko Ryu Honkyoku: A Compilation & Translation. |
John Singer | Unpublished Paper | 1988 | |||
The Kinko-Ryu and its San Koten Honkyoku |
右心 | Master of Arts, University of British Columbia | 1977 | 294 | English | |
The Kowata Suigetsu Collection of the San'in in Syakuhati Dozyo. In Historical Sources of Musicological Interest: Japan and Europe: Catalogue. (With Seyama, Toru) |
月溪恒子 | Osaka: Belgium Flanders Exchange Center | 1990 | 8-16 | ||
The Oral and the Literate in Music. (Edited with Osamu Yamaguchi) |
Tokumaru Yoshihiko | Tokyo: Academia Music | 1986 | |||
The Shakuhachi - A Mini Thesis |
Jonathan Wayne Crick | 69 | English | |||
The Shakuhachi and the Kinko Ryu Notation |
Donald Paul Berger | Asian Music 1, no. 2 | 1969 | 15, 32-57 | ||
The Shakuhachi Honkyoku as a Mahayana Buddhist Esoteric Practice |
Bruce Huebner | Master of Arts, University of California, Santa Barbara | 1989 | |||
The Shakuhachi of Jin Nyodo: A Collection of Classical Honkyoku. John Tedford Translator |
上参郷 祐康 | The Japanese Music Society | 77 | English | ||
The Shakuhachi: A Manual for Learning. (With Yuko Kamisango) |
クリストファー遙盟 | Tokyo: Ongaku no Tomo Sha | 1988 | |||
The Shakuhachi: Aesthetics of a Single Tone |
クリストファー遙盟 | Japan Quarterly 31, no. 2 | 1984 | 214-217 | ||
The Shakuhachi: The Instrument and its Music, Change and Diversification. (Edited with Toru Seyama and Satoshi Shimura) |
月溪恒子 | Contemporary Music Review 8, no. 2. Pages 103-129 | 1994 | 58 | English | |
The Single Tone - A Personal Journey into Shakuhachi Music |
クリストファー遙盟 | Printed Matter Press | 2005 | 167 | English | |
The Sound of Enlightenment (John Kaizan Neptune) |
Michael Soumei Coxall | 30 | English | |||
The Sound of the Empty Bell: Zen Shakuhachi Playing: An Examination of Philosophy and Performance Practice |
Karen Anke Braun | Master of Arts, University of York | 1992 | |||
The Traditional Music of Japan |
岸辺成雄 | Tokyo: Kokusai Bunka Shinkokai | 1969 | |||
The World of a Single Sound: Basic Structure of the Music of the Japanese Flute Shakuhachi. (With Gerald Bennett) |
Andreas Fuyu Gutzwiller | Musica Asiatica 6 | 1991 | 36-59 | ||
Toru Takemitsu |
Wolfgang Laade | Indo Asia 12, no. 1 | 1970 | |||
Toward an Understanding of the Dynamics at Work in Koto Music. In European Studies on Japan, edited by Charles Dunn and Ian Nish |
Peter Ackermann | Tenterden, Kent: Norbury | 1979 | 212-219 | ||
Tozan ryu shakuhachi doyo kayo kyokushu [Anthology of Children's Songs for Tozan School Shakuhachi]. (Edited) |
Suzuki Teizan | Tokyo: Kyorakusha | 1985 | |||
Tozan-ryu: An Innovation of the Shakuhachi Tradition from Fuke-shu to Secularism (First half) |
Takahashi Tone | Ph.D, Florida State University | 1990 | 187 | English | |
Tozan-ryu: An Innovation of the Shakuhachi Tradition from Fuke-shu to Secularism (Second half) |
Takahashi Tone | Ph.D, Florida State University | 1990 | 194 | English | |
Tozanryu shakuhachi tsukai [Commentary on the Shakuhachi of the Tozan School] |
平松 應山 | Osaka: Maekawa Aimyo? | 1924 | |||
Transmission and Recomposition in Japanese Min'yô: The case of "Aiya Bushi" |
Gerald Groemer | 78 | English | |||
Transmusicality: Mastering a Music from Another Culture |
Bruno Deschênes | Croatian Musicological Society | 2022 | 162 | English | |
Tsuzoka shakuhachi koza kan'i no shakuhachi .. |
藤田 俊一 | Nihon Ongaku | 5-6 | |||
Tsuzoka shakuhachi koza kisoku ho no .. |
藤田 俊一 | Nihon Ongaku | 6-7 | |||
Tsuzoka shakuhachi koza kisoku no ... (II) |
藤田 俊一 | Nihon Ongaku | 12-13 | |||
Tsuzoka shakuhachi koza meiso |
藤田 俊一 | Nihon Ongaku | 9-10 | |||
Tsuzoku shakuhachi kogiroku |
藤田 俊一 | Nihon Ongaku | 15-16 | |||
Tsuzoku shakuhachi koza |
藤田 俊一 | Nihon Ongaku | 9-10 | |||
Western Influences on Japanese Music |
Tanabe Hideo | Asian Pacific Quarterly 7, no. 4 | 1976 | 17-22 | ||
Yearning For The Bell: A Study of Transmission in the Shakuhachi Honkyoku Tradition |
皇保 | Doctorate Dissertation, University of Sydney | 1993 | |||
Zenshu no shomondai [Various Questions Concerning the Zen Sects]. (Edited) |
今枝愛真 | Tokyo: Yuzankaku | 1979 |
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