Chôshi (Chikuho Ryu)
調子
| [ジャンル] | 本曲 |
| [流派] | Chikuho Ryû |
調子 は下記のアルバムに収録されています
| アルバム | アーティスト | |
| Phoenix Crying - Yearning for the Bell Volume 6 |
尺八 : 皇保 | |
|
A version of this piece was always the first honkyoku that Sakai Chikuho taught to his students. It is one of many 'main' or 'original' versions among the many short pieces that act as preludes or warm-ups. The 'Choshi' pieces are performed in order to re-establish the relationship between the player and the shakuhachi that is most conducive to the state of mind necessary in meditation.
| ||
| Phoenix Crying - Yearning for the Bell Volume 6 |
尺八 : 皇保 | |
|
A version of this piece was always the first honkyoku that Sakai Chikuho taught to his students. It is one of many 'main' or 'original' versions among the many short pieces that act as preludes or warm-ups. The 'Choshi' pieces are performed in order to re-establish the relationship between the player and the shakuhachi that is most conducive to the state of mind necessary in meditation.
| ||
| Phoenix Crying - Yearning for the Bell Volume 6 |
尺八 : 皇保 | |
|
A version of this piece was always the first honkyoku that Sakai Chikuho taught to his students. It is one of many 'main' or 'original' versions among the many short pieces that act as preludes or warm-ups. The 'Choshi' pieces are performed in order to re-establish the relationship between the player and the shakuhachi that is most conducive to the state of mind necessary in meditation.
| ||
| Phoenix Crying - Yearning for the Bell Volume 6 |
尺八 : 皇保 | |
|
A version of this piece was always the first honkyoku that Sakai Chikuho taught to his students. It is one of many 'main' or 'original' versions among the many short pieces that act as preludes or warm-ups. The 'Choshi' pieces are performed in order to re-establish the relationship between the player and the shakuhachi that is most conducive to the state of mind necessary in meditation.
| ||